Someone once asked Edgar Cayce if others could do what he did, and he answered, “Yes, if you are willing to pay the price.” For some, this referred to the material sacrifices Mr. Cayce and his family made to pursue his work. in addition there is another level of meaning to his reply. Many of his statements about intuitive or psychic development pointed to the necessity for personal transformation, not merely the learning of a technique. One could learn the technique of automatic writing, for example, and produce works of surprise. Although Mr. Cayce acknowledged that automatic writing was a valid channel for bringing in new truths, he consistently advised people away from it and toward the different, different, inspirational writing. This latter method requires, however, more than learning the trick of getting your hand to write while you’re not paying attention. It requires one to learn how to go into into the consciousness of an ideal, and then surrender to the flow of that awareness as it moves into the writing phase. The caterpillar doesn’t become a butterfly by pasting on wings, but rather by allowing itself to melt into liquid which then crystallizes as a butterfly.
I’ve given students a taste of this kind of transformation by dance. Typically I use Cayce’s favorite music for harmonizing, Strauss’s “Blue Danube Waltz.” Don’t try to “do a dance,” I suggest,” but rather allow the music to dance you!” It is a fun way to analyze the difference between making an effort to perform a trick and to go into into the mystery of oneness. In her book Connections: The Five Threads of Intuitive Wisdom (Tarcher/Penguin), Gabrielle Roth presents a similar self-transformational approach to intuition. The author, an artist of the dance and a respected exemplar of someone living the intuitive life, shares personal stories of her struggles, transformations, and discoveries. There is another life to live, more real than what typically passes for living, and there’s a divine human being ready to live that different life, she writes, provided we can escape the addiction to the consciousness of the separate self that must be in control.
“To fully realize our intuitive abilities,” she writes, “we need to be instinctive, intimate, intent, integral, and inspired. Each of these energies is a facet of intuition, our connection to the divine force that moves all things. The problem happens when we stop trusting its supreme intelligence, intelligence, when we allow our intuition to be overwhelmed and reduced by the loud, reactive defensive voices of the ego.”
By instinctive, she method the wisdom of the body. A good example is the way the body can naturally move to music if it’s allowed. Wisdom can appear from the dance, as you can discover for yourself. When you are troubled by a situation and don’t know what to do, if meditation doesn’t help, try dancing! When you sit back down, depleted and spent, you may be surprised to find that you now know how to move past your serious situation.
By intimacy, she method the momentary dissolving of boundaries that create separations between ourselves and the life around us. Learning to listen, to experience a heart connection with other life forms, is a form of cooperation with life that supports intuitive awareness.
By intent, she method the ability to embrace change, already chaos, while knowing intuitively that one has an inner connection with one’s destiny that will shake off possible mistakes and alert one to the symbolic cues life uses to call us forward.
By integrity, she doesn’t average being right or good, but rather she asks that we be real, authentic, not weakened by contradictions, but strengthened by the paradoxes we can accept. It’s not about what we say, but what we are aware of within. Being honest with ourselves, having the innocence of a pure heart, gives us courage to trust intuition instead of doubt it and speculate it of personal contamination.
By inspiration, she method the intuition of Spirit. It is the ability to allow life to breathe you, to move you along your natural path of soul expression. Everyone has a purpose, a calling, a destiny. With intention we can set an ideal, and then allow the Spirit of Life to move us toward the fulfillment of that ideal. Very often life will take us to a new level of awareness, to an already greater ideal, provided we are willing to be moved. Once again, dancing to inspirational music is often a great awakener, a wonderful meditation on being moved by Spirit.
Gabrielle Roth’s personal confessions – exuberant, earthy, wild, sensitive – of her experience with intuition echo the description of the spiritual path described in both idealized and functional terms by Edgar Cayce. More than learning intuitive skills, the goal is personal tr ansformation that allows one to “express the confront” of the Creator in one’s own individual manner.